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It’s not going their way-until Queeg himself testifies.īogart plays the extended court scene masterfully-his Queeg rolls two steel balls around in his hand as he breaks down on the stand, his paranoia eventually on full view for all to see. They return to face the charge of mutiny. Back against the wall and believing he has no choice, Maryk invokes Article 184 and takes control of the ship away from Queeg.īut this is no adventure film, like Mutiny on the Bounty-Maryk and Keith (who supported Maryk) are not celebrated as heroes, and do not sail away to a life of ease on a remote island. Queeg becomes increasingly unhinged, his paranoia reaching a crescendo when he goes berserk over strawberries missing from the mess hall, interviewing the crew for hours and searching everyone’s quarters.ĭuring a typhoon, Captain Queeg loses all sense of control and panics, giving the crew instructions that will surely kill them all. Despite his private worries, Maryk tells Keefer to speak no more of replacing him. Keefer immediately stirs the pot, insisting Queeg is unbalanced and must be replaced. Suddenly, his dictatorial style takes on a sinister edge. It’s a serious mistake, the blame is squarely on Queeg, and instead of taking responsibility, he covers it up. Things change when Queeg is distracted during a training exercise and ignores the helmsman’s warnings.
While much of the crew chafes under the restrictions, at first Maryk takes them stoically, Keith is impressed, and Keefer rolls his eyes and makes cutting if funny comments about the commander. Queeg enforces Navy regulation to the letter-berating sailors for untucked uniforms and a cluttered deck. Steve Maryk (Van Johnson), newly minted Ensign Willie Keith (Robert Francis) on his first voyage, and jovial Lt. The film focuses on a trio of officers-experienced shipman executive officer Lt.
It’s one of his most recognized and remembered roles, a character very different from Rick Blaine, Sam Spade, or Philip Marlowe. He was running on all cylinders when he signed on for the infamous role of Lieutenant Commander Captain Philip Francis Queeg in Columbia’s adaptation of Herman Wouk’s Pulitzer Prize winning novel The Caine Mutiny. He even had two children, long after he’d given up on the possibility of fatherhood.
He had a beautiful young wife who adored him, an Oscar, and his career success showed no sign of waning.
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At their wedding in 1945, Humphrey Bogart gave Lauren “Betty” Bacall a bracelet with a small gold whistle, a nod to their famous scene in To Have and Have Not (1944), when her character teaches his how to whistle.īogart had come a long way from his early, desperate, drunken days in Hollywood.
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